Craig Gibbon

I'd heard there was a curious obelisk on the little Perthshire hill of Craig Gibbon, just above the village of Bankfoot - but never found it before. The A9 dualling works north of Perth seem to go on forever, and the slow speed limit interminable. In the middle of those roadworks looking North, there is  range of low gentle hills off to the left. Next to Dunkeld there is Birnam Hill, adjacent to that is Obney Hill. The next hill to the west is Craig Gibbon, separated from Obney by the deep (and rather lovely) Glen Garr. We climbed Obney via Glen Garr last year, and ended up wading through chest-high bracken and thorns before making the lovely summit; opting for the easier route back, direct from the ridge to Balhomish Farm.

For finding Craig Gibbon, I started at the well-used car park at Little Glenshee, by the ford in Sochie Burn. A huge stile crosses the deer-fencing and follows a bulldozed track into the hills, immediately North of the car park. It soon splits into two, the left fork veering steeply into the hillside, while I took the right on past the pretty Tullybelton Loch.

The path meanders on past two lovely ponds, nestling in unlikely positions in the hills - before coming to a T-junction. Here a small walkers signpost points to the right, directing people towards 'Bankfoot'. I turned left, up the hill, alongside a line of ancient trees. The track climbs for a mile or so, trending westwards before meeting another track up on the ridge.

Turning right, I followed this track for a mile or so, along the top towards Craig Gibbon. The obelisk itself is hidden amongst a cluster of trees, on a small hillock to the right of the track. There is a little path that drops down to it, and up through the trees to the obelisk itself. As Corona virus starts to bite into the country, thousands of people are being forced to self-isolate. I didn't need to - although there was air-traffic above me; down at ground level, I didn't see a soul! Deer, small birds singing, and huge birds hunting, were my company all day.

To return to Little Glen Shee, I continued along with high-level track, over Moine Folaich, which doesn't have the quirky little features of the low-level route in; but does provide wonderful expansive views of the surrounding hills, over the massive windfarm at Aberfeldy and onto to snow-capped Schiehallion. Then southwards, way beyond Perth and down to the paps of Fife.

It's not a huge walk - certainly not a high level one; but it was exhilarating to be outdoors, with boots on; in wide-open spaces clear-skies and an icy wind. Marvellous!

The Inspiration Orchestra

I first became aware of The Inspiration Orchestra through its founder, Ian White. Ian has been a well-known musician, especially in churches for decades; but I really got to know him through what was known as "Mr White's Guitar Club", at the local primary school. There, one lunchtime a week, my older son, gained a love of guitar-playing which he has to this day. He now plays Hendrix songs on a white Fender Strat (!), but it started picking single note melodies on a battered acoustic in the school hall.

I went one night to see Ian's new project, "The Inspiration Orchestra", playing in a church in central Perth. The Orchestra is entirely made up of people with disabilities, who have music lessons with Ian, and who he brings together for concerts. The players are drawn from across the generations, and come with a variety of different skills and instruments. The concert was wonderful, joyous, heart-warming (sometimes, slightly chaotic, as carers worked hard with musicians to get everything ready for each song), and yes, inspiring. I left a cheery, encouraging note on their Facebook page, and thought nothing more of it.

Then, I was made to think.

I was self-employed at that time, and had just taken on some work doing some publicity, media etc for the Christian philosopher and ethicist Andy Bannister, at Solas. Around that time, he conducted a debate with the atheist, utilitarian philosopher Peter Singer, for Justin Brierley's "Unbelievable?" radio programme. (Incidentally, in this age of censorship, and people seeking to "no-platform" people they disagree with, I love the way that every week, Justin puts people he totally disagrees with on the radio, gives them a platform - and engages with their ideas!) . The Bannister-Singer debate was wide ranging and detailed - but something struck me most profoundly. Singer seemed to be arguing that the value of a human life is somehow proportionate to their abilities, their capacity for decision making, and what they can contribute to the workforce. In comparison, Bannister pressed the case that humans, made in God's image have an intrinsic worth - which is not dependent on their skills, or capacities; but is bestowed by their maker. As such, the most vulnerable should be treasured as much as the powerful, rich and celebrities of our age.

It was a total clash of world-views. If Singer was right, then the weak are holding us back, if Bannister is right- then the mark of true humanity is to care for and value the weakest. I was overwhelmingly convinced that Bannister was right, and that Singer's was a path not merely towards his (notorious) advocacy of infanticide, but on towards a tyranny in which the powerful can determine the value of life.

The question for me then, was what to do with that conviction.

For a while, our family had been supporters of Water Aid, the International Justice Mission and Christians Against Poverty - chipping a few quid every month towards these inherently good things, directed towards the poorest. However, it didn't seem enough, in the light of what I was convinced of in the Bannister-Singer debate.

Then Ian White e-mailed, asking me if I would be willing to help him out with The Inspiration Orchestra! I'm not a musician, and so there's nothing I can do on the music side of things. However, there is a small committee behind the scenes that keeps things running, and I joined it and help with some of the publicity. At one of the last concerts, I was asked to tell people a little about the Orchestra. the words I used were "celebrating value and unlocking talent". Ian works tirelessly with all the musicians, modifying instruments for their particular abilities, teaching, practicing and encouraging. He does this because it is a labour of love, which seems to me to be the perfect outworking of a world-view in which every individual is uniquely valued, and precious, a conviction grounded in the belief that they are made in God's image. The Inspiration Orchestra celebrates the value of every musician and unlocks their talent. That's why the concerts are so utterly joyous. Chatting to some of the musicians after concerts, and in the Orchestra's charity shop in Perth (Shop at 91), has been wonderful. Seeing the way in which music brings so much joy to their lives too, has been tremendous.

Sadly, all concerts are postponed at the moment, because of the Corona virus outbreak. However, they are expected to resume later in the year. Details are on the website, and Facebook.

The Inspiration Orchestra
Shop at 91