Western observers of Russia today often appear perplexed
as to how a nation which emerged so optimistically from under the long shadow
of Soviet totalitarianism, seems to be so readily dispensing with liberal
freedoms. Arkady Ostrovsky’s book is a superb explanation of the causes,
development and consequences of that retreat, which both informs, and alerts
the reader to the ongoing difficulties which dealing with Putin’s Russia , will
present for some time to come. The
Invention of Russia won Ostrovsky the 2016 Orwell Prize for political
writing.
“Russia
is an idea-centric country, and the media play a disproportionately important
role in it”, writes Ostrovsky. “Ideologists, journalists, editors and TV
executives” have not just been transmitters of the idea of Russia , but its
creators, he claims. (p5) In communist days, media and information were a state
commodity, “the means of mass communication”, essential to the whole Soviet
idea. But, he rather adroitly observes, “the Soviet Union
expired, not because it ran out of money, but because it ran out of words”.
(p6)
Ostrovsky’s account of the turbulent 1990s, of Yeltsin, and
his tussles with the Russian parliament, is brilliantly told. He charts the way
in which the threat of communism led Yelstin to depend on the emerging
Oligarchs, who were allowed to gain inordinate wealth and power in return for
their support. There was a short time in which the media were comparatively
free, when it was “too late to rally the masses under the red flag, and too
soon to rally them under nationalism”. (p168)
Once Yeltsin was gone however, the Oligarchs “behaved like
caricatures of capitalism in old Soviet journals” (p229), helping to destroy
the liberal media, as they moved power towards Putin, who centralised ownership
and control of the press. It was this media who invented the Russia
we have today. As such there is as much about the battles to control Moscow ’s TV tower, as
there is as much here about struggles to control the Kremlin.
The Russia of Putin, is Anti-American, patriotic,
collectivist, and celebrates derzharnost
(geo-political prestige) and gosudarstvennichestvo (the primacy of the
state). (p284).
Central
to Ostrovsky’s thesis is that the free press was able to restrict Yeltsin’s
Chechen war; but the compliant press under Putin has been central into whipping
the population into a paranoid frenzy to justify the annexation of Crimea . The media were responsible for stirring hatred
against anyone who opposed the war, such as Boris Nemstov, who was duly
murdered in 2015.
Most
alarming is Ostrovsky’s assessment of contemporary Russia , where “The Kremlin is
cultivating and rewarding the lowest instincts in people, provoking hatred and
fighting” (p346). His view is that Russia is more dangerous than it was in the
Cold War, as the USSR were victors in WWII, but emerged from the end of
communism with a sense of defeat, and a volatile “inferiority complex”. (p3)
Today more than “fifty percent of Russians think that it is OK for the media to
distort the truth in the interests of the State”; but perhaps more worryingly,
“The vast majority of Russians now contemplate the possibility of a nuclear war
with America, [which] forty per cent of the younger ones believe that Russia
can win”.(p346)
Ostrovsky’s
book is a challenge to the increasingly inward-looking West, who are consumed with
their own economic and constitutional affairs; as was exposed in the woefully
deficient debate on the renewal of Britain ’s Trident nuclear weapons
system. Both those arguing for renewal, and those for scrapping Trident argued
from within a vacuum; with barely a whimper of cogent assessment of the
resurgent Russian threat. Both arguments were essentially unilateralist, while
the absence of any multilateralist voice arguing for scrapping Trident, in
tandem with a wider de-nuclearisation of Europe ,
was telling. The possibility of an isolationist Trump US Presidency, and
subsequent straining of NATO, makes the need to understand Putin’s Russia
a matter of growing urgency. Ostrovsky’s The Invention of Russia informs, educates and
counsels Europe not to avert our eyes from
developments to the East.
Arkady Ostrovsky, is the Russia analyst for The Economist. This review was first published in Solas Magazine, used with permission.
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