Tuesday, July 24, 2018

Film Notes: Of Gods And Men

I picked up this DVD for a quid, in a sale of old LoveFilm stock. In the days before Netflix and downloading was a thing, postal DVD services were popular; but their demise led to some amazing deals. I'd heard that this was a 'film worth watching' and without knowing much about it at all, picked it up on the off chance. It turned out to be a deeply sad, very moving, and rather profound film.

The setting is Algeria in 1996, as the government start to lose control of the state, and Islamist militants cause misery and chaos in their quest for an Islamic revolution. In a remote corner of the country a small Roman Catholic monastery had functioned for years. Alongside their own rituals, and devotions, they served the community and provided healthcare and support. The film depicts them as being very much part of the community, in which they served; sharing life, hospitality and friendships across the religious divide.

The central plot of the film is whether the monks should abandon the monastery and flee, either to a safer monastery in Africa, or indeed back to France; as Islamist atrocities take place with ever increasing frequency - and in ever closer proximity to them. They face, essentially, a decision to run away from their calling, or to face death for it. The Muslim villagers certainly do not want the monks to leave - but to face up to the threat of the extremists alongside them. The discussions around the small monastery table in which they debate this decision are amongst the best moments in the film. One monk, determined to stay, says to a younger colleague (who wants to leave), "we already gave up our lives, when we decided to follow Christ". Strong stuff indeed.

As the film draws to a climax, the monks with sorrow and resolve, face up to the inevitability that as non-Muslims in an Islamist take-over, they are doomed. With their songs, liturgies, and around the eucharist; they re-affirm their faith even as the dark clouds gather around them.

This is actually a true story. Which possibly explains why there is more detail about the two monks who survived the ordeal; than the mystery about the deaths of the rest of those who did not. We see, finally, the sad group being led away to their deaths; and a caption reading that nothing is know about who murdered them. 

Lambert Wilson gives a really strong performance as the head monk, alongside Michael Edward Lonsdale as Luc - the medical brother, It's a slow film; in that the rhythms of life in the monastery which have survived generations are depicted. It's not an action film, in that the plot develops as much in the brooding tension and the monks' response to it; as in the actual civil war. That kind of cinema is far harder to write and produce than action; but it is done very well indeed here.

The film is a stunning protest against religious extremism, religion violence and intolerance. This message, along with the context of the last monks in an ancient monastery in Muslim lands, is somewhat reminiscent of William Dalrymple's stunning book, From the Holy Mountain. Although set further east, amongst the Orthodox and Coptic churches, not the French Catholics of Algeria, the extinction of these people and orders is a parallel story; and very worth reading.

The monks in this film share a 'Last Supper' together, waiting to face death, as Christ did before them. One wavering monk faces up to this with the biblical quotation, ''no servant is greater than his master'- in other words, if martyrdom was good enough for Christ himself, who am I to demand anything more? With their faith and integrity intact, they are then led away.

FORB (freedom of religion and belief), as enshrined in Article 18 of the UN Convention on Human Rights; is under more strain then in 1996 when these awful events occurred. Tragically, CSW (the Christian charity that works for freedom of religion for all people, of all faiths or none) reports that this is increasingly the case in Algeria. Click here to read more.

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